A Most Unusual Chamber
The gallery is large, eight-sided, and most ornate, of
the type where one would hang portraits of patriarchs and nobility. Only
four portraits decorate these walls: a stern-faced bearded man, a young woman
who holds a parasol, a smiling old lady with a rose, and a smug looking young
man. From a ledge between the portraits and the floor, at each corner a stone
gargoyle glares down, clutching in its hands each a tall, flickering taper
which provide the light. Far above, the ceiling tops the tall chamber in
an ornate plastered ceiling.
The deep, booming voice of the ghost host once again echoes
through the chamber.
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Our tour begins here, in this gallery, where you
see paintings of some of our guests as they appeared in their corruptible,
mortal state.
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A human voice speaks, and for perhaps the first time a
servant standing in a shadowy corner becomes apparent. “For the best viewing
of the four portraits above, kindly drag your bodies away from the walls
and into the dead center of the gallery.”
There is a moment when all is silent, and then suddenly
the room begins to metamorphose of its own accord. Although the striped-wallpapered
walls do not appear to move, they lengthen at the top and bottom! All around,
the portraits appear to shift as well… the top of the portrait begins to
rise, while the bottom of the portrait reveals more of the painting!
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Your cadaverous pallor betrays an aura of foreboding,
almost as if you sense a disquieting metamorphosis. Is this haunted room
actually stretching? Or is it only your imagination, hmm?
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The young lady with the parasol has found herself atop
a fraying tightrope stretched across a river, where a hungry crocodile waits
patiently below.
The older gentleman is, in fact, wearing only boxers from
the waist down, and is standing atop a keg of dynamite, the fuse having been
lit by a nearby candle.
The smug young man is sitting on the shoulders of another
man, who sits on the shoulders of another man, who is the only one aware
they all three are sinking rapidly into quicksand. And the old woman sits
atop her husband’s grave and, judging from the bust of him at the bottom
and her knowing smile, she put an axe in his head some time ago.
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And consider this dismaying observation – this
chamber has no windows – and no doors!
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The voice has suddenly shifted to another side of the
room, while a brief glance around only confirms the worst expectations: all
the walls are flat, bare, save for the portraits, and uniform – sealed shut.
The ghost host is barely containing his laughter. Meanwhile, the ledge and
gargoyles that once seemed so close are now far overhead, their glaring faces
and wide, toothy grins now far more sinister.
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Which offers you this chilling challenge – to find
a way out!
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The ghost host now breaks out in laughter, as the distant
portraits seem much farther from the ceiling than before, the wall space
between the top of the frame and the ornate, wood carved recess gradually
creeping longer and longer... the voice rings out again, seeming to offer
relief...
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Of course, there’s always my way...
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The room goes black, and there is immediately a crack
of thunder as, far above, the ceiling has vanished and now the unfinished
attic top of the spire is illuminated through four windows and flashes of
lightning. In the center of the attic, staring down through a mess of long,
tangled white hair, the skeleton of the ghost host gazes down at you through
vacant eye sockets, swinging gently from a taught rope which forms a noose
around his neck.
Just as suddenly, the scene is gone, and the entire room plunges into pitch
darkness as we hear a scream that gets louder and louder, until, with a crash,
a body lands on the floor of the gallery with a thump that can be felt. The
gallery relights, the ceiling now having bafflingly re-appeared in its former
place, hiding the secret above. There is a short pause and finally, a hidden
door slides open.
layout &
design by Foxx Nolte, 1998 - 2004. content is copyright the Walt Disney
Company. GrimGhosts.Com is not affiliated with the Walt Disney Company
in any way.